Thursday, 19 April 2018


Not a warrior. Just a woman.
There is nothing 'just' about being a woman.

You wore purple slippers while incarcerated
In the place without colour.

You noticed the small failures, and sought to
Correct the large ones.

You housed two tortoises for thirty years,
And built another home for those of us

Wandering in the bewildering wilderness
Of lupus. Systemic lupus, that uncontrollable beast

That ropes us into the pen of our lives,
Trying to tame us into submission.

Not a warrior. Just a woman.
Who wore her height stylishly.

Who ate her cake ravenously.
Who lived her truths wisely.

But not without humour. Never
Without humour.

Are you here now? Like I asked you to be?
Or have you already flown far, free

To conquer new lands, unite with old friends,
Your mother, who left you too soon.

As you have left us, too soon.

Shaista Tayabali
April 16, 2018

linked with dverse poets

Shelagh Cheesman was the Chair of the Cambridgeshire Lupus UK group, the champion of many, and my dear friend. Along with our friend Colette Barrere, we formed part of an informal club called The Chloe Club, wearing our shared necklaces, lunching at the Tickell Arms, breaking down our encounters with the medics into humorous morsels. 
I can't say words like 'I'll miss her' because they sound too banal. And anyway, she doesn't seem to have left me. Yet.
I recited the poem above at her funeral service on Monday 16th. It was a poem she commissioned herself two weeks before she died at Addenbrooke's. She unknowingly gave me the title of the poem with this quote: I don't like the word 'warrior'. But I like the word 'positivity'. 

The not-so-formal photo: Shelagh (L), me, Coco (R), post Tickell Arms lunch

Thursday, 22 March 2018


They disappear the girls,
But it's the men who blur, for me.

Whose father, did what, when,
With whose aid, why - I care less

About them. And only about you.
You remain. You and your name

Haunt me, but not as ghostly mystery.
There was nothing insubstantial

About you. In fact, there was so much
That it has spilled over, across time,

Crossed the bridges of your world
And mine, so you live with me now,

Swimming in the river of my thoughts.
I hope you don't mind.

(c) Shaista Tayabali, 2018

They wanted us to forget her. They tried to erase her, in a suitcase, strangled and abandoned, buried. No, evil, you did not succeed. We honour her, still. Her name is on our lips, in our poems, crossing borders on the wind. Banaz Mahmod. In 2012, Deeyah Khan and Andrew Smith documented her story in a film they titled Banaz: A Love Story. She was born 16 December 1985, and killed 24 January, 2006. She was Iraqi Kurdish. She lived in Wimbledon, London. And she fought to save her own life.  
(poem shared via dverse poets)

Wednesday, 21 March 2018


It is the spring equinox today, and all around the world Parsis, Zoroastrians and Iranians are celebrating Nav Roz, or No Ruz, which translates to New Day. But also, following Celtic and Saxon tradition, the goddess Ostera is celebrated by Wiccans and druids at Stonehenge, the goddess Isis brings rebirth to Egypt, Passover includes a thorough spring cleaning in Jewish homes, and in Russia, Maslenitsa is observed as a time of light, and a return to warmth. 

An article I wrote at the end of last year was recently reprinted in the magazine 'Parsiana' with an illustration of myself as Zoroastrian superhero, with a heart of fire, which is one of the coolest things that has ever happened to me. I plan on having a giant poster reproduction of it to remind myself on lost days that I have a heart of fire. Thank you, Farzana Cooper, fabulous illustrator!

In case you missed my article 'Half Parsi, Half Muslim, Full Woman', I am including it in full here...


I say my name, in full.
‘Date of Birth?’
I say my date of birth, in full.
‘Half Parsi, half Muslim,’ I say. In full.

She looks up at me. I am standing in the classroom, as each of us do when the roll call reaches our letter in the alphabet. ‘How can you have two religions?’ she asks. Maybe she is smiling, maybe she isn’t. I cannot remember because this process occurs every single year, on the first day of school after the monsoon holidays are over. ‘I don’t know,’ I say, although I do. I have two parents. And two religions. 

‘What is your father?’ In India, this is quite a common way of asking which religion you belong to. ‘What are you?’ begins with this classification, if your name doesn’t already ‘give you away’. ‘My father is Muslim,’ I say. And watch her write it down. I protest. How young I was when I began protesting is unclear to me. All I know is that by the time I was ten I had already decided I'd had enough of my mother’s religion being erased from my identity. For that is how I perceived the act of a figure of authority deciding for me that my father’s religion was the defining classification of my personhood.

I am a feminist. I came to an understanding of this word first through the writings of Alice Walker and her fulsome, inclusive definitions of womanist. But that was at university. So there was no word for what I felt at the thought of the denial of my mother’s religious identity. In India this is more than which place of worship you are allowed to enter – it weaves into every aspect of your life - your birthing ceremony, your childhood years, your teenage relationships, your marriage, your divorce or inability to divorce, and then the decisions that will affect your own children’s lives. My mother had a spiritual, emotional and psychological crisis when she fell in love with my father, because she had always assumed she would marry a Parsi like herself. Parsis are now a tiny community: a thousand years after leaving Persia because of Arab persecution, and of sheltering in India under the premise of never proselytising the religion – Zoroastrianism – we number less than 60,000.

You notice I have only just mentioned the ‘other’ religion. Indians know that to be a Parsi is to be Zoroastrian in a way the world does not want to know that to be Muslim is to be Malaysian, Kurdish, French, Moroccan, Norwegian, Somali. Naming ‘Zoroastrianism’ has only become a reality since we moved to England. A non-reality, ultimately, because no one has heard of Zoroastrianism. Well, unless you happen to be a bonafide Freddie Mercury fan, or you are a Professor of Iranian or Avestan Studies. The Jehovah’s Witnesses who used to knock on our door heard ‘Rastafarian’ every time my mother opened the door, and explained she did have religion in her life.

What was my Parsi mother’s greatest fear when marrying my Muslim father? That her children would be neither one thing, nor the other. Where would we belong individually, or as a family? Nowhere, she feared. And in part, her fears proved of substance. When my grandfather died, the Zoroastrian priest would not permit my mother to enter the sacred area where her father lay, wrapped in white muslin sheets, ready for his sky burial. She had been made impure by marrying outside the community and the pure land was no longer available to her. His cruelty broke her heart.

We make our choices. One day, when the need to visit the fire temple and light aromatic sandalwood became too great, my mother drove all of us to the agiary. The sign outside clearly stated, ‘Only Parsis allowed.’ My father prepared to wait outside the entrance. My mother, my younger brother and I began to troop inside. One small figure was missing. My older brother, clutching our father’s arm, refused to leave his side.

We make our choices. Are you Muslim or Parsi? What is your father? So when I was ten I placed the secret of my heart upon my mother’s palm. I knew no one would ever order me to prove myself a Muslim. If they did, couldn’t I simply burst into ‘Alam Nash Rakh Laka Sad Rakh’? Hadn’t my mother painstakingly taught herself Arabic so she could in turn teach us the calligraphy that would forever be written upon the scripts of our souls? Secure in my Islamic and Arabic traditions, I wanted to ensure my Persian Avestan traditions. There was one formal investiture and it was time conditional. Parsi girls may only ever enter the Zoroastrian faith through the navjote ceremony before we begin to menstruate. Oh that gatekeeping, so beloved to the male priestly communities across the globe, across time. Blood, the river of life, which runs gender-binary free through all human veins, suddenly turns into such filth that God himself would forsake us. He would be Himself here. Herself would merely commiserate over the monotonous banalities, send waves of abdominal healing and draw us ever closer.

It didn’t make much difference and it made all the difference in the world. My Parsi-ness, my Zoroastrianism, remains invisible, the secret I placed upon my mother’s palm. Remains the secret of my heart. My delightful father, who I worried would feel betrayed by my deliberate choice, was only moved to tears that his daughter felt so deeply about her relationship to the liminal, the mystical unseen ever-thereness of the spiritual world. I pray, as he does, in surahs and in gathas. A thousand years ago, his people may have persecuted my mother’s people. In me, persecution will not be internalised. Love made its decision so firmly, so deeply, that surely some tiny bat squeak of an echo is even now ricocheting back in time, to press my secret into the palms of forsaken hands. Here. Remember this. Love is a choice, waiting.

(first published in Sisterhood mag, Dec 26th 2017)

Wednesday, 28 February 2018


It is almost March. Half an hour to go, and we are in the middle of a snowstorm. My toes were frozen in the car a few minutes ago but our lovely warm house is heating me up nicely. In 27 countries around the world, across 927 screens, audiences just witnessed Shakespeare transformed once again into a different mode of art. Ballet this time. Our auditorium in Saffron Walden wasn't full because of the snow, but for those of us who were able to attend the screening, a cup of hot coffee or a glass of white wine eased us into our seats. Some of us may have had a chocolate brownie as well... hey, it was gluten free! Surely that's healthy?
Ryoichi Hirano burst on to our stage (well, our screen) and we were, to a woman, transfixed. His presence, his beauty, his actorly ability to transmit jealousy (the most potent of our emotions?) was unrivalled by any of the other dancers, even though every other dancer was obviously perfection embodied.

The youthful delights of spring and first love in Act Two contrast with the winter and storms of imagined betrayal in Act One. But Ryoichi disappeared and so Act Two was a bit meh for me. I mean, amazing, of course, but I drifted... do you drift when you watch the ballet or the opera? Or while listening to classical music? I am often distracted by the presence of all the other minds in the room, bodily with me, but each of us entering our emotional worlds, separately.

I was glad to return to Ryoichi in the final act. Hair whitened by grief, he was still magnificent, and when Hermione, the wife he thought was lost to him, is revealed to him in a dance of forgiveness, I felt almost as shocked as he was. And glad. I had missed Lauren Cuthbertson too - the ballerina who co-created her own role. A statue coming to life wasn't the only moment that stunned me - a doll masquerading as a baby, with arms and legs moving (ah, modern technology) almost made me miss the bear that wolfs down a poor courtier...

In the outside world, snow flurries awaited us, but the thrill of the performance had us on a high long enough to grab a frozen selfie... I hope you are all keeping warm and finding something to smile about. Google the gorgeous Ryoichi!! Or if such superficial things as a beautiful Principal dancer don't appeal, read Shakespeare - the ballet made me want, made me need, the words that began the dance.

Thursday, 25 January 2018


First their eyes met, then they danced, and then decades of moon phases (and poems by their daughter) later...

Two rabbits sat upon a hill,
one blinked sleepily,
the night was so still.

Suddenly the moon
peeked out between the clouds,
and the moon gazers, entranced,
counted out the stars.

There bounds Pegasus
and Pleiades, the beauty,
there Cassiopeia, Aries and Venus -

And here, bound to earth,
you and I, my dearest.

What more than love and blue skies?
What more than love, my dearest.

Happy Anniversary my beloved Perveen and Chotu xxxx

(poem included in dverse poets open link night)