Saturday, 21 February 2015

GEETA SAAR - THE THEORY OF EVERYTHING

'Whatever happened, happened for the good.
Whatever will happen, will also happen for the good.
What did you lose that you are lamenting about?
What did you bring with you that you have lost?
What did you produce that got destroyed?
Whatever you have, you received it from here.
Whatever you gave, you gave it back here.

What belongs to you today, belonged to someone else yesterday
and will belong to someone else tomorrow.'

I read these words - the essence of the Bhagavad Gita - on the morning of a curious day. I was not very well but determined to catch The Theory of Everything at the cinema before it disappeared. I broke a rule by smuggling in a non-sanctioned cinema drink (coca-cola not bought from the cinema offerings) and once seated, proceeded to be mesmerised by the effects of my action. The bottom quarter of my latest journal of poetry had been resting in a pool of spilled coke for the few minutes it had taken to reach my seat in the dark, and many of the endings of my poems have turned into a kaleidoscope of smudged colours and shapes.



You know me - I handwrite my poems on handmade paper. I dry flowers and use real ink. I have never considered making copies of entire books or typing up poems beyond the world of my blog. You might think this sort of thing has never happened to me, but I don't have that excuse. Once, in Italy, I stood on the edge of a pier scribbling verse. A boat was gathering speed in the near distance. A laughing crowd on board smiled and waved at me. I waved back. A wave, a real watery wave of enormous proportion grew like a Hiroshige painting and engulfed me, my book, the lines of verse…
I love my poems and I feel sad for a while after these strange encounters of loss, but the lesson in detachment and impermanence never fails to impress me.


The Theory of Everything was a lesson in impermanence and the laws of change. Eddie Redmayne deserves every accolade. His portrayal of Professor Hawking's descent into the deepest human understanding of the nature of time is subtle, intelligent, worthy of the subject matter. The ending is terribly moving because the director uses a cinematic ploy to imagine time rewound. Redmayne's Hawking slowly gets out of his wheelchair, stands up, his feet uncurl, his legs walk him down steps, he reaches down to pick up a fallen pen. The moment does not feel like fantasy. Professor Hawking's special gift is to make us believers in ourselves, first... the universe and its cosmology, second. 




(The Geeta Saar quote was taken from the instagram account of Deepika Mehta, a yogini.) 

6 comments:

Sherry Blue Sky said...

OOOOH NOOOOOOOOOOOO! she shrieks, in true horror. I hate to think of any of your words being lost. I would have them all archived in book form were I your nearby trusty biographer. I found the film amazing too - the actor did a brilliant job, I believe, am not sure quite how he managed it.

Sherry Blue Sky said...
This comment has been removed by the author.
Sherry Blue Sky said...

My horror was so severe, my comment posted itself twice, LOL.

caramelcaramelo said...

I love this! Well not the part about the movie since I have not seen it, but the paper, the ink, the smudges. I also use paper and a fountain pen (which is a bit of a bother on airplanes) but it makes it all so beautiful doesn't it? And the smudges, such lovely flowers to end your poetry.

Ramana Pingili said...

Nice post. Incidentally, I was looking for Geeta Saar on net and came across this site.Keep up the good work.My best wishes.

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