Showing posts with label writing. Show all posts
Showing posts with label writing. Show all posts

Monday, 10 January 2022

INTERVIEW WITH DR. JANE WILSON-HOWARTH

Jane Wilson-Howarth's first book was published in 1990 - 'Lemurs of the Lost World: exploring the forests and crocodile caves of Madagascar' - and she has published several other books, across genres, since. This quote from her own biography gives you an insight into Jane: while other girls were experimenting with makeup and exploring the impact on the boys of rolling up the waistbands of their skirts to show more leg, I was nerdily nose-down in our garden pond, learning about reproductive behaviour in minuscule cyclops and water-fleas. After graduating with a zoology degree from Plymouth, Jane travelled to Nepal, for the first time. Travel gave me a particular loathing of leeches and parasites, as well as an indignation about inequality of access to health care. Ultimately this pushed me towards becoming medically qualified. I have worked as a GP (family physician) in Cambridgeshire for 15 years and have worked in other medical roles overseas for about 13 years.
I was honoured to be interviewed by my friend and fellow author for her blog

Author to Author
 
I first met poet and author Shaista Tayabali when I was invited to speak at a readers group in Cambridgeshire many years ago and we made a connection that has continued. I have been following her inspiring blog since I became aware of it and her patient perspectives have often given me pause for thought in my own medical practise. She has just launched her own memoir and generously agreed to answer some questions about it.


 
Shaista Tayabali, do please tell us a little about your new book and who your target audience is.
 
As with any book, a writer’s first audience is herself. In my case, I had returned home from my diagnosis in 1997, googled ‘writers with lupus’ and ‘books written by famous writers with lupus’, searching for something literary, poetic. Over the years, I would check again and again, and nothing of the sort I yearned for, existed. A Kahlil Gibran-ish translation of my life! It dawned on me that I would need to write the book myself, for myself. As I worked through draft after draft, three audiences became clear: the lupus patient, the non-lupus patient and the medic. If I had to pick one in particular, it would be the medic. I was aiming to be on par with Paul Kalanithi, Atul Gawande, Siddharth Mukherji, Oliver Sacks. In other words, I was tired of being the fodder for best-selling doctor-writers!!
 

You have written, ‘I don't write for catharsis. I write to tell the truth of my life.’ What do you mean by this?
 
Throughout the writing of this book, people always assumed that my book was intended to ‘help’ lupus patients. ‘This book will really help people like you’ – it was an understandable comment but was neither the genesis nor the ongoing pulling force. I write in the vein of so many women before me, and still writing – like Susan Sontag, Alice Walker, Deborah Levy – but also David Sedaris, Marian Keyes, Samantha Irby – memoirists, essayists – writing for the love of language, through trauma, via poetry or humour. Yes, there is something of transformation in using language as a survival mechanism, but catharsis suggests the thing itself is extinguished. It isn’t. The thing I am writing about – my life – goes on. Thankfully!
 

Do you keep a diary, Shaista? Is it important for writers to do so?
 
I don’t keep a diary in the way of David Sedaris, for example – who is religious about it – but I have always kept poetry journals, in which I also periodically record moments in prose. When I started my blog in 2009, that became a diary of sorts. There are gaps in everything – I am not a disciplined, routine based person, but I am always, and always writing – lots of letters, emails. I had the most beloved friend, Mary, who was 60 years older than me. She was a profoundly energetic letter (and later email) writer until the very end – she influenced me endlessly, just by being herself. I think writers find a way to write.
 

How long did it take to complete the book and have it in a form you were willing to share with people beyond your family and friends?
 
Well, I started the first line on January 1st, 2013 and published it on December 3rd, 2021! I began it during my Masters in Creative Writing Fiction. I had a novel nicely begun, which my fellow classmates were enthusiastic about, and I swerved. I decided to focus on memoir instead, for my dissertation. So that meant the first draft of my book was not only read but marked. My younger brother was my first reader/critic – and he advised cutting the first quarter, which focused on our life in India – and my older brother was my last proper reader/critic – and he took a similar axe to the draft he read! Along the way, I’d send the book out, and it kept getting rejected by agents. Which would make me go back to it with more scalpels. Until, finally, at the start of this year, I knew it was as right as I could make it.
 

Reading your work, it feels like becoming a poet / writer is your raison d’être …  Do you think people still make judgements about the quality of your writing according to whether you are ‘properly’ published or not? After all, plenty of rubbish is published by celebrities who can’t write and plenty of excellent work is self-published.
 
‘A hundred percent!’ to quote the young ones… I write it in my early chapter – I was always being asked if I was published, by people who openly said they didn’t even read. Nothing has changed in terms of the legitimacy lent by traditional publishing. The gatekeepers say they aren’t gatekeepers, but they are. And several agents were honest about why they were rejecting me – that it had nothing to do with my writing, and everything to do with the subject matter of my book being unsaleable. My poetry has consistently been rejected too – hence my self-publication via my blog and first collection. It’s tiring to be honest, Jane. Super tiring. Because – and is this arrogant? – I know I can write! (Clive James always thought I was arrogant, but he approved of the arrogance, really – he just wished I’d look up to him more!)
Hear, hear, Shaista! It seems to be that a little arrogance in the correct quarters is what folks need to suceed – in all walks of life. Perhaps calling it self-confidence rather than arrogance would sit easier with you!
 

I am a bit of a stickler for ‘correct’ writing and am always pulled up short when I notice a typo or punctuation error in a book produced by conventional publishers. It is hard to pick up typos yet there was not one in your book! Congratulations. How did you manage that? How many readers helped by checking through it?
 
Ha ha! That’s funny, because my younger brother wrote the same thing to me after he finished reading the book. He said he was thinking this throughout his reading. And he says the same thing with my handwritten poetry in my journals. ‘How do you never make a mistake?!’ I do make mistakes, but to answer your question: no readers helped with checking or proof-reading. Only me, over and over and over and over again!! As you know from our own personal connection, I have been editing things for other people for years – since my university days, and probably even at school and sixth form. My consultant calls me his Korrectorin!
 

I was slightly shocked at your observations about the way people imply that even if you have a life-altering illness, doing nothing is still considered unacceptable verging on the sinful. Do you think having a strong work ethic is a good or a bad thing?
 
I think those are two very different concepts you are holding there – and it has been interesting to watch the world wrestle with both during this pandemic. People expect to get better when they are ill. They are irritated by anything that stops forward movement. Progress, when you have auto-immunity and chronic illness, looks very different. Progress can be a tiny turn in the late evening, after a horribly stuck day. I have never actually ‘done nothing’ on the inside. I am always busy living, inside. It’s just not very interesting on the outside. I don’t think the ill lack a strong work ethic. And I think placing the words ‘strong work ethic’ beside ‘good’ and ‘bad’ already implies a favourable judgment towards ‘good’? I do work very hard, inside.
 

You wrote, Shaista, ‘A friend visited and did not like to see the tears in my eyes, the tiredness. I am a river of sadness,’ I sighed.
‘Well you can’t be,’ he said, sternly. ‘There’s no such thing. Rivers move and change and take things away with them and pick things up, like flowers and happiness. Write me a happy poem!’
How do you manage to marshal positivity when you are facing so many challenges?
 
When I was little, my grandfather told me that my smile made him happy, that me being cheerful made his day better. He was very frail at the time, and I loved him very much. Once feminism really took root alongside serious illness, I took time to examine this business of smiling. Who was I smiling for? Why was I smiling? I stopped for a while. And discovered, slowly, that being cheerful, or perhaps bringing cheer, is an essential part of who I am, regardless of the patriarchy. I don’t think in terms of positive and negative, which, as a former Chemistry student, only remind me of electrons! I know I make a difference with my cheer – it has a visible and palpable effect on the person I am with and on me as well. Living with Dad, who lost his sight almost twenty years ago, also provides a daily exercise in marshalling cheer – cheer is light, translated.
 

I was interested that you feel doctors critically judge what symptoms are physical in origin and which due to psychological effects or diagnoses. Do you consider this classification of disease into either physical or mental important?
 
I was sent to a psychiatrist when I was much younger, and I argued my way out as though I were in court. I had no desire to have anyone decide for me what my mind meant. I may have benefitted from that particular doctor, who turned out to be a lovely man, but I knew I wanted my mind for myself. ‘Women with illness’ is a landscape unto itself – we have huge football fields worth of restoration to be done. I was a teenage girl when I entered the NHS and I was treated with incredibly abrasive language. My resultant tears were constantly perplexing, and frustrating to the doctors. As though being diagnosed with a life-threatening disease ought to have no emotional or psychological impact. Mental impact from physical disease is inevitable, just as mental illness plays havoc on the body, eventually, if not immediately. If the two aren’t woven together, your patient falls apart. But modern medicine’s classifications and separated departments don’t allow for a braiding of mind and body. Individual doctors make or break us, according to their levels of compassionate intelligence.
 

If I mention I had a child who died, many people react as if they need sympathy because of hearing this sad fact. When you mention your father is blind or your life is dominated by illness, people also seem to be in need of comfort. It is so odd, isn't it! Do you have a way of dealing with such responses?
 
Yes, it’s the conundrum we are constantly faced with: ‘what to say, what not to say’, when you haven’t shared the same human experience. After twenty years, I can usually see a response coming, and employ ninja techniques of getting out of or around the other person’s needs and/or awkwardness. I know my father’s pride, for example, so I simply conjure up a humorous anecdote, one that will spin the conversation onto lighter ground. I am very fortunate that I live with two people who don’t expect anything from me. They hope, but don’t expect. And they are always simpatico. So this makes me able to be generous with others! People who have sympathy for me, rather than expecting sympathy from me, are the ones who become true friends.
 

You mentioned that one of your consultants shared an anecdote about another of his patients. Quite rightly he didn’t identify the patient but you felt it wasn’t the consultant’s right to share the story, even if the patient wasn’t identifiable and he intended the tale to help you? When is it acceptable to share others’ stories? What was it that you didn’t like? Was it that you feared he might betray patient confidentiality regarding you?
 
You are referring to a very specific anecdote in the book, during my three-month admission, my most gruelling admission. When the consultant, a man I had only just met during this admission, casually discussed me wearing diapers, because another of his female patients, around my age, had found herself in the unfortunate circumstance of having to resort to them, I found nothing helpful about his offering. It brought me no comfort. As it was, my symptoms cleared up as my inflammatory markers calmed down. His comment was not necessary. I hadn’t asked for practical, sanitary advice. I was just reporting the day’s symptoms during his very brief ward round. His sharing of her circumstance presumed a certain future for me, and that only led to my despair after he left.
You say, ‘Quite rightly he didn’t identify the other patient’ – but here is another situation: as a newly diagnosed teenager, I was desperate for the Rheumatology department to put me in touch with a single other patient. I had never heard of lupus, and I was so lonely, so unhappy. I asked on multiple occasions if my consultant could at least share something concrete about another of his patients, so that I might feel less alone. He never did.
Later, I offered myself to the department, as a point of contact for any newly diagnosed patient – but I was never taken up on it. The confidentiality boundaries that doctors have are not necessarily the ones that we need or appreciate. It’s very complex, isn’t it?   
 

You say, ‘Just as the triggers for depression are correct and present every day, so are triggers for joy.’ Can you share any tips for accessing what is joyous in life?

Well, I can certainly share what is joyous in mine! I am blessed with wonderful friends, who live scattered across the globe. On the occasions when we meet, I draw sustenance from them, but then, in our long absences, I continue to draw on their proffered help, spiritually. On a low, tearful day, I call to mind any one of my family and friends, doctor friends too, and either imagine conversations with them, or sit down to write a letter. In the writing, I am in dialogue, and my friend, far away, busy in their life, is unconsciously bringing me support, energy and ultimately, joy. I say ‘unconsciously’, but when, as a true friend, you offer yourself, ‘I am here for you’, I really take you up on it! Even when you don’t know. I carry the strength and spirit of those who love me, everywhere I go. That’s how I survive hospital and seeming isolation. Bookending my days and nights are my beloved parents. And of course  the children, who are my endless resource of joy – they live in the now, and demand I only be myself, which is easy enough for me, with them. 


I would imagine that your blog helps others. Do you know who reads your blog and do you have any heart-warming stories of those you have connected with through it? Do please share a link to it.

One interesting thing about my blog readership, and this perhaps also applies to my book, is that I don’t have an obvious lupus patient following. My readers tend to be writers, artists, poet-thinkers. I do know many of my readers because they have written personally to me, and I have made some extraordinary friends. Many of them found me first – I still can’t believe that I was found by Sherry, who lives in Tofino, Canada or Jeanne-ming, who lives in Chiang Mai, Thailand, or Maggie May in California, or Ruth in Michigan or Terresa in Utah… Sherry and I nearly met a few years ago, when I was supposed to visit my family in Vancouver but I ended up in hospital with an infection the day before the flight. I have met only Terresa and Jeanne-ming in person – and they were wonderful moments. Terresa and I walked the Cambridge cobblestones – I took her to The Haunted Bookshop, off King’s Parade… Ming is a soulmate for sure. We finally met up in Malaysia, the in between place for us – and it was like a coming home. She is an artist of the most unique sort and sent me a piece of art that I absolutely treasure. I came home from an eight-hour monoclonal antibody therapy infusion to find the parcel. I wrote about my soulmate artist friend in my blog, Lupus in Flight: click here to read more radiant joy.
 

What global issues are you most passionate about? Do injustices get to you?
 
The safety of women. The rights of our bodies. Our voices. The protection of children, their rights, their voices. Injustice is a living, breathing force every minute of someone’s life, somewhere. When you are very ill, and especially in physical pain, it is unbearable to think that you are a part of the same species who inflict torture upon a body before them. How? I don’t want to know, really. All I know is that at my darkest point, when my eyes were failing me, operations were frequent, a corneal ulcer grew, and all I could think was I belong in the same world as those who commit genocide – the Holocaust and the Rwandan massacre. How do we move beyond that? We are all made of the same stuff. It’s ghastly to think that. And yet… there is light. A friend rang just at my lowest, darkest. He is a man of faith, so his perspective was Christian – Jesus is an embodiment of who we also can be… the news doesn’t allow us to hold on to the necessary threads of light for very long, but we had Desmond Tutu, we have Malala.
 

Do you have another work in progress?
 
I have so many books cooking in my head – but specifically my next poetry collection is almost ready, and the novel I began has waited patiently for eight years…
 

Thanks so much for sharing so much, so succinctly, Shaista Tayabali. Would you also let us have any social media links please?
 
I think my blog is really my best social media link: Lupus in Flight but I am also on Instagram @shaistatayabali. The memoir is out in paperback and for kindle; here's the link on the UK amazon site: lupus on amazon




Thursday, 17 January 2019

RED KOI, BLACK SKIRT



A radiologist rushes by
in a black wool skirt
splashed across with koi;
red fins, white bellies,
swimming in the creases
as she moves.

The skirt is from a tiny shop
in France; she says this sadly,
knowing she cannot satisfy
my craving for koi
beneath my own fingers,
in friendly wool.

I pass Fiona Sampson’s ‘Orpheus Variation’,
and travel up the long tube
to the topmost floor,
which tucks me away
from apheresis, and other humans,

and I swim
into the closed wards of the infected,
the diseased, worming in to join
the dark night of our souls.

But when the blood moon draws closer,
and blue Monday arrives, I arise
and begin to shed the creature that holds sway;
small sheddings are small victories, these days.
©Shaista Tayabali, 2019
participating in Dverse Poets Pub
(I thought about tacking on a different ending because the hospital did let me out, but only to reveal the next morning that they had found the bacterial culprit, so I haven’t swum to freedom yet. I have a cannula in me and nurses arrive daily to my house to administer antibiotics through a drip they set up. Something is being shed, I have to believe, or else the dark nights will claim me again...)



Wednesday, 21 March 2018

HAPPY (SUPERWOMAN) NAVROZE!!

It is the spring equinox today, and all around the world Parsis, Zoroastrians and Iranians are celebrating Nav Roz, or No Ruz, which translates to New Day. But also, following Celtic and Saxon tradition, the goddess Ostera is celebrated by Wiccans and druids at Stonehenge, the goddess Isis brings rebirth to Egypt, Passover includes a thorough spring cleaning in Jewish homes, and in Russia, Maslenitsa is observed as a time of light, and a return to warmth. 

An article I wrote at the end of last year was recently reprinted in the magazine 'Parsiana' with an illustration of myself as Zoroastrian superhero, with a heart of fire, which is one of the coolest things that has ever happened to me. I plan on having a giant poster reproduction of it to remind myself on lost days that I have a heart of fire. Thank you, Farzana Cooper, fabulous illustrator!


In case you missed my article 'Half Parsi, Half Muslim, Full Woman', I am including it in full here...

HALF PARSI, HALF MUSLIM, FULL WOMAN


‘Name?’
I say my name, in full.
‘Date of Birth?’
I say my date of birth, in full.
‘Religion?’
‘Half Parsi, half Muslim,’ I say. In full.

She looks up at me. I am standing in the classroom, as each of us do when the roll call reaches our letter in the alphabet. ‘How can you have two religions?’ she asks. Maybe she is smiling, maybe she isn’t. I cannot remember because this process occurs every single year, on the first day of school after the monsoon holidays are over. ‘I don’t know,’ I say, although I do. I have two parents. And two religions. 

‘What is your father?’ In India, this is quite a common way of asking which religion you belong to. ‘What are you?’ begins with this classification, if your name doesn’t already ‘give you away’. ‘My father is Muslim,’ I say. And watch her write it down. I protest. How young I was when I began protesting is unclear to me. All I know is that by the time I was ten I had already decided I'd had enough of my mother’s religion being erased from my identity. For that is how I perceived the act of a figure of authority deciding for me that my father’s religion was the defining classification of my personhood.

I am a feminist. I came to an understanding of this word first through the writings of Alice Walker and her fulsome, inclusive definitions of womanist. But that was at university. So there was no word for what I felt at the thought of the denial of my mother’s religious identity. In India this is more than which place of worship you are allowed to enter – it weaves into every aspect of your life - your birthing ceremony, your childhood years, your teenage relationships, your marriage, your divorce or inability to divorce, and then the decisions that will affect your own children’s lives. My mother had a spiritual, emotional and psychological crisis when she fell in love with my father, because she had always assumed she would marry a Parsi like herself. Parsis are now a tiny community: a thousand years after leaving Persia because of Arab persecution, and of sheltering in India under the premise of never proselytising the religion – Zoroastrianism – we number less than 60,000.

You notice I have only just mentioned the ‘other’ religion. Indians know that to be a Parsi is to be Zoroastrian in a way the world does not want to know that to be Muslim is to be Malaysian, Kurdish, French, Moroccan, Norwegian, Somali. Naming ‘Zoroastrianism’ has only become a reality since we moved to England. A non-reality, ultimately, because no one has heard of Zoroastrianism. Well, unless you happen to be a bonafide Freddie Mercury fan, or you are a Professor of Iranian or Avestan Studies. The Jehovah’s Witnesses who used to knock on our door heard ‘Rastafarian’ every time my mother opened the door, and explained she did have religion in her life.

What was my Parsi mother’s greatest fear when marrying my Muslim father? That her children would be neither one thing, nor the other. Where would we belong individually, or as a family? Nowhere, she feared. And in part, her fears proved of substance. When my grandfather died, the Zoroastrian priest would not permit my mother to enter the sacred area where her father lay, wrapped in white muslin sheets, ready for his sky burial. She had been made impure by marrying outside the community and the pure land was no longer available to her. His cruelty broke her heart.

We make our choices. One day, when the need to visit the fire temple and light aromatic sandalwood became too great, my mother drove all of us to the agiary. The sign outside clearly stated, ‘Only Parsis allowed.’ My father prepared to wait outside the entrance. My mother, my younger brother and I began to troop inside. One small figure was missing. My older brother, clutching our father’s arm, refused to leave his side.

We make our choices. Are you Muslim or Parsi? What is your father? So when I was ten I placed the secret of my heart upon my mother’s palm. I knew no one would ever order me to prove myself a Muslim. If they did, couldn’t I simply burst into ‘Alam Nash Rakh Laka Sad Rakh’? Hadn’t my mother painstakingly taught herself Arabic so she could in turn teach us the calligraphy that would forever be written upon the scripts of our souls? Secure in my Islamic and Arabic traditions, I wanted to ensure my Persian Avestan traditions. There was one formal investiture and it was time conditional. Parsi girls may only ever enter the Zoroastrian faith through the navjote ceremony before we begin to menstruate. Oh that gatekeeping, so beloved to the male priestly communities across the globe, across time. Blood, the river of life, which runs gender-binary free through all human veins, suddenly turns into such filth that God himself would forsake us. He would be Himself here. Herself would merely commiserate over the monotonous banalities, send waves of abdominal healing and draw us ever closer.

It didn’t make much difference and it made all the difference in the world. My Parsi-ness, my Zoroastrianism, remains invisible, the secret I placed upon my mother’s palm. Remains the secret of my heart. My delightful father, who I worried would feel betrayed by my deliberate choice, was only moved to tears that his daughter felt so deeply about her relationship to the liminal, the mystical unseen ever-thereness of the spiritual world. I pray, as he does, in surahs and in gathas. A thousand years ago, his people may have persecuted my mother’s people. In me, persecution will not be internalised. Love made its decision so firmly, so deeply, that surely some tiny bat squeak of an echo is even now ricocheting back in time, to press my secret into the palms of forsaken hands. Here. Remember this. Love is a choice, waiting.

(first published in Sisterhood mag, Dec 26th 2017)

Sunday, 4 June 2017

MARIE KONDO AND THE SPARKING OF A CERTAIN JOY

for Richard, who misses my blog posts

It seems strange to speak of joy, or write of joy, when all around us joyless events directed by joyless people rip at the fabric of our lives. Every day I look about me and give thanks for clouds in the sky, and not drones, for roses beginning to climb our trellis, and not militia, for my mother loudly shooing away the muntjac and a squirrel I've named Nutkin, rather than... anything else. None of these are small things. They constitute the biggest thing of all - freedom. A word that almost feels sacred now. Almost like superstition. Better not utter it out loud, in case those that lurk in the dark places encroach upon your light. 


And yet of course this is the paradox of a life like mine: if you keep small, and hide away as much as possible, tending to the bird feeder and sorting through your books, you wonder if after all you ought to be trying for the other life, the one with the spotlight and the megaphone, denouncing hatred, fighting for rights, yours and those denied others. Then your body reminds you of its tumultuous nature - scar tissue, antibiotics and a twenty year long fight to stay alive.

Into my small but sweet life, a fellow patient gave me The Life Changing Magic of Tidying Up by Marie Kondo. My friend is Italian so the book was actually called Il Magico Potere Del Riordino. It was her personal copy, with notes to herself inscribed in pencil. It has taken me a few years to actually begin the process of tidying up my life in the specifically thorough way offered by Japanese tidying expert Marie Kondo. The KonMari method.


There are two books, actually. The second is called Spark Joy: An Illustrated Guide to the Japanese Art of Tidying, and this one is filled with delightful illustrations. There is a certain order to the process but always the same outcome - to spark joy from the tiniest of your possessions. Gather your belongings into their particular categories. Hold each object in your hands, and consider it. If the time has come to send it on its way, thank it before you despatch it. [The first edition was given to me by my friend Angelica, and the second guide by my sister Angelina. I take my angels where I get them.] 




















I find myself telling people truthfully what I am 'up to' - facing that dreaded question of 'What are you doing now? Have you published your book yet?' If only writing a book and publishing it were as natural a pair of siblings as we imagine when first embarking on that book. I have tentatively begun the second - never mind what it's about - but first, I have a date with a woman named Marie, who is leading me towards a certain joy. 

Thursday, 6 October 2016

AN ORANGE SLUG IN THE PATH OF A RATTATA

They came. They conquered. They left. With a piece of my heart tucked into the soles of their feet.

Last night, around 2am, the owls were busy tap dancing on the roof of the Coach House, the converted garage I have called home for the past three years. I thought of Raf, who sometimes worries about me in the midst of all these owls. But he understands I'm nocturnal. 'I'm nocturnal, too!' he declared, last summer in Portugal. He was four then. At five, he is now a skilful Pokémon catcher. One sunny day, he and I combed the entire village, collecting measly Pokéballs at the phone box library and finding mostly Rattatas and Pidgeys (and a Mr Mime!) - he got stung by thorny ivy snakes, was shocked to discover roses have thorns and the duck pond from last year seemed to have vanished, so all in all it was 'the worst day, ever.' 
But! We met an orange slug. Have you ever? Bright and burnished, it looked nothing like its ordinary grey camouflage-ready mollusc cousin - Raf and I were gripped by the drama. Of course neither of us knew we were looking at Arion vulgaris, the cannibalistic roadkill eating variety. Arion vulgaris - what a name! I'm quite partial to the term vulgaris because in the late thirteenth century that is how lupus was referred to - lupus vulgaris.

I didn't blog last month - one of the rare months of complete absence. I have been struggling with chronic tachycardia most of the year. I hope there is nothing too sinister, cardiologically speaking - fingers crossed, anyway - but at the same time, almost twenty years of lupus, steroids, chemo and immuno therapies have no doubt taken their toll. My heart is overworked, but never under appreciated. Did I tell you I've finished my book? My last chapters are all dedicated to my heart, wondrous organ that it is. 

While the smallest loves of my life are far away in other countries, I am head down, writing to publishing agents. I rise to meet the day and either crumble back to bed or send my book with love to strangers. Wish me luck as I wave it goodbye!

Wednesday, 30 December 2015

BRIDGE OF BALI OLD, BALI NEW

It's the difference between silence and sound. 
Just outside the bathroom a farm, with crowing roosters fluffing dust and gravel off their tails. The villa is harmonious with both breeze and screeching gecko. I hear each crackle and rustle as the rooster places his claw, regal even in this clump of fallen twig and dead leaf. 

The villa is silent of human sound. The other nine occupants have left on various adventures - water park, shopping excursions - I, lone wolf, among the ants and my words. 

I have been to Bali before; two years ago, in a villa like this, but with a koi fish pond and the beginnings of a raw grief. The rain gods began kicking up a storm from the moment we arrived. One night found me huddled on the cold bathroom floor, wishing away my barren life, wishing instead for a fertile womb, a baby. I wrote something that night:

34

Nothing bold. Perhaps the saddest year.
Certainly the loneliest. 

A storm outside does nothing to console me
inside, on the floor of a bathroom in Bali.

You will get everything you wish for.
Even sadness. Especially sadness.

That is the curse.
That is the price.

You would have been willing 
to pay anything (you thought).

Anything, but that. 


But that was then. And I am here now, a different self in the same place. The raw grief that haunted me has dissipated. I feel lighter. Not accepting, exactly, rather adjusting to each new discovery of a life less travelled in some ways, deeply traversed in other ways. All that matters is that I am here, now, surviving the wild heat and submitting to what will come.


Sunday, 6 September 2015

KATE

I have just returned from the first literary evening held at our local village hall - with the authors Allison Pearson (I Don't Know How She Does It) and Sarah Vaughan (The Art of Baking Blind). It was delightful; both women are 'locals' now, so it felt quite cosy. Pearson's novel about a high-powered fund manager named Kate was made into the Hollywood film of the same name, and she had a plethora of roaringly funny anecdotes from her time on the road. She also read a moving passage on the great yet unappreciated work done by mothers - which was the focus of Vaughan's novel, too. The two writers created a braid of literary intimacy on the complex subject of motherhood and working/writing. Both are journalists too - so it was a very connected evening.
As much as I enjoyed tonight, the reason for this post is dedicated to another Kate, a little girl who isn't a little girl anymore.
In my first years of living in Shelford, I babysat a lot, but it is difficult to maintain an unceasing thread with the children you babysit even though you continue to live in the same place for all their growing up years.
Tonight, before the event began, I was catching up with a few of the parents of my once-upon-a-time babysitting years, when I was made aware of a very pretty young girl sitting beside one of the mothers. I can't imagine she recognised me, as I would never have known her for the five year old I once wrote poetry with in a summer garden. I still have my poem but I wish I had kept hers - I must have left it with her mother, for her mother.

Here is mine…

June 28, 'Kate'

In the summer garden
an old pond
edged by lady's lace
and the sun 
falling low
down a blue bowl of sky -

Water lilies float
on a carpet of moss
and through the arch
a pair of blue eyes
watch me
cautiously.

(I think I shall try to send this poem to Kate - who might think it a silly memory, but might also quite like it. It's nice to be remembered, even if you can't remember the rememberer!) Tonight I also learned of the artist Margaret Tarrant, thanks to my friend Victoria - and I am now in love. I am sure I have seen her work before but I like knowing her name, and shall probably find myself making good use of Tarrant's illustrations with the nieces and nephew. Quite a handy evening, all in all!





Saturday, 29 August 2015

BIRTHDAY TREATS AND RUINS

It's not like when you're 4 and you know exactly what you want your birthday cake to look like, or when you're 9 and you organise a fancy dress party with your cousin because you have a dress that makes your handcrafted wand look perfect, and she has the perfect magician's top hat… it's different now. But still, it's your birthday, so you try to find some magic.


Just around the corner from me, in Ayot St Lawrence, Hertfordshire…


At the entrance, some advice from George Bernard Shaw on birthdays… I'm afraid I disagree with you here, dear GB…


but ah! your writing shed…



Built around a central steep-pole frame, so Shaw could follow the arc of the sun's rays, it was dubbed 'London' by its bearded owner - unwanted visitors were kept away by being told he was 'visiting the capital'… we were therefore surprised to find a telephone above the typewriter, but suspected that was in lieu of a dinner gong - his wife, Charlotte, needing some way of calling her husband in from the land of words. In keeping with the irony of Shaw's instructions to a birthday girl, his house, a paean to Edwardian Arts-and-Crafts days, was closed for modern 'electricals', but the gardens were open and my friends had brought a picnic…



Across from Shaw, the Church of St Lawrence, somewhat newly ruined, and then twist through three kissing gates, take a selfie with sheep, and you arrive at the Apollonian influenced Greek revival church, built at the request of Sir Lionel Lyde, who decreed that 'what the church united in life, it should keep separate in death'. Interesting marriages, the Lydes and the Shaws!




The weather held, the sheep did not leap over the fence to knock the offending selfie-taker, my friends sang 'happy birthday' in church - where it sounded hallowed and melodious - and I even discovered a plaque commemorating a Lieut. Colonel Monier Williams, of the Honourable East India Company's Service, who was Surveyor General of Bombay; also of his son Alfred, ensign in the Grenadier Regiment Bombay Infantry, who fell, at 19, gallantly leading the Storm of The Pass of Nufoosk - a piece of Indian/British history I had never heard of. So I suppose you don't need to be 4 or 9 to enjoy your birthday - you just need the right friends.


Monday, 20 April 2015

VANESSA AND HER SISTER (AND ME)

Yellow bunting hangs from trees, and since there is only one (stalwart) lady heading up the queue outside the Cambridge Union Chamber, my friend Sylvia, my mother and I decide to lounge in deck chairs, have tea and elderflower, and discuss literature: the perennially delightful question and answer of 'What are you reading?' and 'What did you think?' When we are satiated, we turn lazily to the lady in the queue, only to discover there is now a snaking river of women and we must forfeit our front row seats. We are here for Vanessa Bell; Vanessa first, and then her sister - today Virginia Woolf is the one in the shadows. Never far, or hardly done by, but the conversation this afternoon between the doyenne of historical fiction, Philippa Gregory, and the darling of the Bloomsbury world, Priya Parmar, intends to focus on the painter, the portrait artist, the one who held the centre so others could come apart - Vanessa Bell.
Priya used to be a blogger (although she promised me at the book signing she would restart her blog) so I already knew she had been friends with Philippa Gregory for a while - ten years I discover. Philippa (I can call them by their first names, can't I?) began by determining that the tenor of the interview would be intimate, they would talk as though they were at breakfast or tea, interrupting as friends of longstanding do, and interspersing memory and anecdote. It was utterly perfect. It doesn't get better for faithful readers than to have writerly friends, genuine friends, chat, confide, illuminate. Witness: Neil Gaiman with Terry Pratchett, Junot Diaz with Toni Morrison, Lena Dunham with Jennifer Saunders...
It began with the chicken story - they both had chickens at the first moment of email encounter - and meandered through the personal responsibilities of holding history in your hand and then braiding it with imagination into fiction. At various points, I focused on Philippa's shoes - they were deep electric blue, heeled and seemed to have a life of their own. My view was slightly squinty, between heads but I had been too shy or diffident to ask the volunteers whether I could snag the empty front row seats for the sake of my woebegone eyes. They were reserved for the hearing impaired, not the visually impaired. Maybe next time, I'll ask. I refrained from audience questions too - although I wanted to know if Priya came from the harmonious duality of an art/writing family as I do. She captures that particular tension of roles once defined in families, being rearranged. But art in any family transmogrifies its inhabitants. It is never enough to be painter or writer or poet or scientist. We must be all, if so inspired.
Today marks a week after the last Rituximab cycle. I have since seen my consultant and although she agrees the disease is active, she is hopeful the chemotherapy will help. I used to have a doctor who concluded every conversation with the words, 'Let us wait and see.' So it is with my consultant (a Virginia Woolf lookalike if ever there was one). We are waiting, and seeing. I am trying my best to brave the daily fevers with as little anxiety as possible. And only those who know, know. 

When I presented my book for Priya to sign, and mentioned I was a little in love with her blog The Plum Bean Project, she was surprised. But her sweetness radiates and she graciously accepted my fangirling homage. The moment was, unbeknownst to me, captured by the official photographer of the Cambridge Literary Festival, Chris Boland, who being a friend, sent me these pictures...


What he didn't capture was Mum, who is an avid fan of Philippa Gregory, introducing herself and fangirling in a much more sophisticated, respectable way. Author and appreciative fan shook hands, because Mum had brought none of her many Gregory books. All in all, it seems only right to start the nieces young on the wonders of historical fiction…

You can find more of Chris Boland's photography at his website Distant Cloud Photography.

Saturday, 11 April 2015

HOW TO SURVIVE RITUXIMAB


1) Do nothing.

2) But when the drug, which makes your heart and mind race, wakes you up before dawn, lie there and hope for sleep again.

3) When there's absolutely no hope, totter out of bed into the kitchen, scrabble around the fridge and settle on a virtuous carrot.

4) Wash the carrot down with a few ginger biscuits, a glass of water and several white tablets. Remember you still haven't renewed your various prescriptions, promise yourself you absolutely will attend to it later and then forget all about tablets by

5) finding the most mind numbing documentary on Netflix. It's called, say, 'The Queen of Versailles' about a rather grimly mismatched couple determined to build the biggest, brashest house on American soil. You will retain nothing later except a solitary fact about the real Versailles almost bankrupting France with its gilt and glory. This from google and not the documentary.

6) No fever or tachycardia yet and you float about between bed and kitchen, eating noodles, watching rain turn to sun, and wondering why you aren't simply stepping out of your little house and walking the half hour to your nieces, one of whom has taken to saying, 'Shai! gone!' with a sad little flick of her hand.

7) At 4 in the afternoon, you have a high point of wellness. You steel yourself not to get dressed or put your contacts in, but to sit, still pyjama clad at the open window, sun blazing into your half shut eyes, drinking coffee laced with syrup and two Jaffa cakes melting as fast as you can eat them.

8) By half past five, sun turned to long shadows, you are in bed with a creeping temperature, a steady marathoning heart and a throat that burns with a thirst you cannot pacify. In the doorway, an old fashioned tape player and Catherine Alliott's rural comedy A Crowded Marriage. A fox has decapitated Cynthia. Not the heroine. The chicken...

9) You think about washing your hair.

10) You listen to the birds.

11) You write a blog post about how you survive Rituximab the wonder drug. The cancer drug. The lupus drug. The soon to be Parkinson's drug. You think about cupcakes, not the cake but the frosting. And washing your hair. And how quiet it is because the tape needs to be changed to Side 13. You take a breath, prepare to peel the blankets off your curled up legs and brace for cooler air. There will always be more tea, hot buttered toast and you will

12) begin again.