Showing posts with label memoir. Show all posts
Showing posts with label memoir. Show all posts

Monday, 10 January 2022

INTERVIEW WITH DR. JANE WILSON-HOWARTH

Jane Wilson-Howarth's first book was published in 1990 - 'Lemurs of the Lost World: exploring the forests and crocodile caves of Madagascar' - and she has published several other books, across genres, since. This quote from her own biography gives you an insight into Jane: while other girls were experimenting with makeup and exploring the impact on the boys of rolling up the waistbands of their skirts to show more leg, I was nerdily nose-down in our garden pond, learning about reproductive behaviour in minuscule cyclops and water-fleas. After graduating with a zoology degree from Plymouth, Jane travelled to Nepal, for the first time. Travel gave me a particular loathing of leeches and parasites, as well as an indignation about inequality of access to health care. Ultimately this pushed me towards becoming medically qualified. I have worked as a GP (family physician) in Cambridgeshire for 15 years and have worked in other medical roles overseas for about 13 years.
I was honoured to be interviewed by my friend and fellow author for her blog

Author to Author
 
I first met poet and author Shaista Tayabali when I was invited to speak at a readers group in Cambridgeshire many years ago and we made a connection that has continued. I have been following her inspiring blog since I became aware of it and her patient perspectives have often given me pause for thought in my own medical practise. She has just launched her own memoir and generously agreed to answer some questions about it.


 
Shaista Tayabali, do please tell us a little about your new book and who your target audience is.
 
As with any book, a writer’s first audience is herself. In my case, I had returned home from my diagnosis in 1997, googled ‘writers with lupus’ and ‘books written by famous writers with lupus’, searching for something literary, poetic. Over the years, I would check again and again, and nothing of the sort I yearned for, existed. A Kahlil Gibran-ish translation of my life! It dawned on me that I would need to write the book myself, for myself. As I worked through draft after draft, three audiences became clear: the lupus patient, the non-lupus patient and the medic. If I had to pick one in particular, it would be the medic. I was aiming to be on par with Paul Kalanithi, Atul Gawande, Siddharth Mukherji, Oliver Sacks. In other words, I was tired of being the fodder for best-selling doctor-writers!!
 

You have written, ‘I don't write for catharsis. I write to tell the truth of my life.’ What do you mean by this?
 
Throughout the writing of this book, people always assumed that my book was intended to ‘help’ lupus patients. ‘This book will really help people like you’ – it was an understandable comment but was neither the genesis nor the ongoing pulling force. I write in the vein of so many women before me, and still writing – like Susan Sontag, Alice Walker, Deborah Levy – but also David Sedaris, Marian Keyes, Samantha Irby – memoirists, essayists – writing for the love of language, through trauma, via poetry or humour. Yes, there is something of transformation in using language as a survival mechanism, but catharsis suggests the thing itself is extinguished. It isn’t. The thing I am writing about – my life – goes on. Thankfully!
 

Do you keep a diary, Shaista? Is it important for writers to do so?
 
I don’t keep a diary in the way of David Sedaris, for example – who is religious about it – but I have always kept poetry journals, in which I also periodically record moments in prose. When I started my blog in 2009, that became a diary of sorts. There are gaps in everything – I am not a disciplined, routine based person, but I am always, and always writing – lots of letters, emails. I had the most beloved friend, Mary, who was 60 years older than me. She was a profoundly energetic letter (and later email) writer until the very end – she influenced me endlessly, just by being herself. I think writers find a way to write.
 

How long did it take to complete the book and have it in a form you were willing to share with people beyond your family and friends?
 
Well, I started the first line on January 1st, 2013 and published it on December 3rd, 2021! I began it during my Masters in Creative Writing Fiction. I had a novel nicely begun, which my fellow classmates were enthusiastic about, and I swerved. I decided to focus on memoir instead, for my dissertation. So that meant the first draft of my book was not only read but marked. My younger brother was my first reader/critic – and he advised cutting the first quarter, which focused on our life in India – and my older brother was my last proper reader/critic – and he took a similar axe to the draft he read! Along the way, I’d send the book out, and it kept getting rejected by agents. Which would make me go back to it with more scalpels. Until, finally, at the start of this year, I knew it was as right as I could make it.
 

Reading your work, it feels like becoming a poet / writer is your raison d’être …  Do you think people still make judgements about the quality of your writing according to whether you are ‘properly’ published or not? After all, plenty of rubbish is published by celebrities who can’t write and plenty of excellent work is self-published.
 
‘A hundred percent!’ to quote the young ones… I write it in my early chapter – I was always being asked if I was published, by people who openly said they didn’t even read. Nothing has changed in terms of the legitimacy lent by traditional publishing. The gatekeepers say they aren’t gatekeepers, but they are. And several agents were honest about why they were rejecting me – that it had nothing to do with my writing, and everything to do with the subject matter of my book being unsaleable. My poetry has consistently been rejected too – hence my self-publication via my blog and first collection. It’s tiring to be honest, Jane. Super tiring. Because – and is this arrogant? – I know I can write! (Clive James always thought I was arrogant, but he approved of the arrogance, really – he just wished I’d look up to him more!)
Hear, hear, Shaista! It seems to be that a little arrogance in the correct quarters is what folks need to suceed – in all walks of life. Perhaps calling it self-confidence rather than arrogance would sit easier with you!
 

I am a bit of a stickler for ‘correct’ writing and am always pulled up short when I notice a typo or punctuation error in a book produced by conventional publishers. It is hard to pick up typos yet there was not one in your book! Congratulations. How did you manage that? How many readers helped by checking through it?
 
Ha ha! That’s funny, because my younger brother wrote the same thing to me after he finished reading the book. He said he was thinking this throughout his reading. And he says the same thing with my handwritten poetry in my journals. ‘How do you never make a mistake?!’ I do make mistakes, but to answer your question: no readers helped with checking or proof-reading. Only me, over and over and over and over again!! As you know from our own personal connection, I have been editing things for other people for years – since my university days, and probably even at school and sixth form. My consultant calls me his Korrectorin!
 

I was slightly shocked at your observations about the way people imply that even if you have a life-altering illness, doing nothing is still considered unacceptable verging on the sinful. Do you think having a strong work ethic is a good or a bad thing?
 
I think those are two very different concepts you are holding there – and it has been interesting to watch the world wrestle with both during this pandemic. People expect to get better when they are ill. They are irritated by anything that stops forward movement. Progress, when you have auto-immunity and chronic illness, looks very different. Progress can be a tiny turn in the late evening, after a horribly stuck day. I have never actually ‘done nothing’ on the inside. I am always busy living, inside. It’s just not very interesting on the outside. I don’t think the ill lack a strong work ethic. And I think placing the words ‘strong work ethic’ beside ‘good’ and ‘bad’ already implies a favourable judgment towards ‘good’? I do work very hard, inside.
 

You wrote, Shaista, ‘A friend visited and did not like to see the tears in my eyes, the tiredness. I am a river of sadness,’ I sighed.
‘Well you can’t be,’ he said, sternly. ‘There’s no such thing. Rivers move and change and take things away with them and pick things up, like flowers and happiness. Write me a happy poem!’
How do you manage to marshal positivity when you are facing so many challenges?
 
When I was little, my grandfather told me that my smile made him happy, that me being cheerful made his day better. He was very frail at the time, and I loved him very much. Once feminism really took root alongside serious illness, I took time to examine this business of smiling. Who was I smiling for? Why was I smiling? I stopped for a while. And discovered, slowly, that being cheerful, or perhaps bringing cheer, is an essential part of who I am, regardless of the patriarchy. I don’t think in terms of positive and negative, which, as a former Chemistry student, only remind me of electrons! I know I make a difference with my cheer – it has a visible and palpable effect on the person I am with and on me as well. Living with Dad, who lost his sight almost twenty years ago, also provides a daily exercise in marshalling cheer – cheer is light, translated.
 

I was interested that you feel doctors critically judge what symptoms are physical in origin and which due to psychological effects or diagnoses. Do you consider this classification of disease into either physical or mental important?
 
I was sent to a psychiatrist when I was much younger, and I argued my way out as though I were in court. I had no desire to have anyone decide for me what my mind meant. I may have benefitted from that particular doctor, who turned out to be a lovely man, but I knew I wanted my mind for myself. ‘Women with illness’ is a landscape unto itself – we have huge football fields worth of restoration to be done. I was a teenage girl when I entered the NHS and I was treated with incredibly abrasive language. My resultant tears were constantly perplexing, and frustrating to the doctors. As though being diagnosed with a life-threatening disease ought to have no emotional or psychological impact. Mental impact from physical disease is inevitable, just as mental illness plays havoc on the body, eventually, if not immediately. If the two aren’t woven together, your patient falls apart. But modern medicine’s classifications and separated departments don’t allow for a braiding of mind and body. Individual doctors make or break us, according to their levels of compassionate intelligence.
 

If I mention I had a child who died, many people react as if they need sympathy because of hearing this sad fact. When you mention your father is blind or your life is dominated by illness, people also seem to be in need of comfort. It is so odd, isn't it! Do you have a way of dealing with such responses?
 
Yes, it’s the conundrum we are constantly faced with: ‘what to say, what not to say’, when you haven’t shared the same human experience. After twenty years, I can usually see a response coming, and employ ninja techniques of getting out of or around the other person’s needs and/or awkwardness. I know my father’s pride, for example, so I simply conjure up a humorous anecdote, one that will spin the conversation onto lighter ground. I am very fortunate that I live with two people who don’t expect anything from me. They hope, but don’t expect. And they are always simpatico. So this makes me able to be generous with others! People who have sympathy for me, rather than expecting sympathy from me, are the ones who become true friends.
 

You mentioned that one of your consultants shared an anecdote about another of his patients. Quite rightly he didn’t identify the patient but you felt it wasn’t the consultant’s right to share the story, even if the patient wasn’t identifiable and he intended the tale to help you? When is it acceptable to share others’ stories? What was it that you didn’t like? Was it that you feared he might betray patient confidentiality regarding you?
 
You are referring to a very specific anecdote in the book, during my three-month admission, my most gruelling admission. When the consultant, a man I had only just met during this admission, casually discussed me wearing diapers, because another of his female patients, around my age, had found herself in the unfortunate circumstance of having to resort to them, I found nothing helpful about his offering. It brought me no comfort. As it was, my symptoms cleared up as my inflammatory markers calmed down. His comment was not necessary. I hadn’t asked for practical, sanitary advice. I was just reporting the day’s symptoms during his very brief ward round. His sharing of her circumstance presumed a certain future for me, and that only led to my despair after he left.
You say, ‘Quite rightly he didn’t identify the other patient’ – but here is another situation: as a newly diagnosed teenager, I was desperate for the Rheumatology department to put me in touch with a single other patient. I had never heard of lupus, and I was so lonely, so unhappy. I asked on multiple occasions if my consultant could at least share something concrete about another of his patients, so that I might feel less alone. He never did.
Later, I offered myself to the department, as a point of contact for any newly diagnosed patient – but I was never taken up on it. The confidentiality boundaries that doctors have are not necessarily the ones that we need or appreciate. It’s very complex, isn’t it?   
 

You say, ‘Just as the triggers for depression are correct and present every day, so are triggers for joy.’ Can you share any tips for accessing what is joyous in life?

Well, I can certainly share what is joyous in mine! I am blessed with wonderful friends, who live scattered across the globe. On the occasions when we meet, I draw sustenance from them, but then, in our long absences, I continue to draw on their proffered help, spiritually. On a low, tearful day, I call to mind any one of my family and friends, doctor friends too, and either imagine conversations with them, or sit down to write a letter. In the writing, I am in dialogue, and my friend, far away, busy in their life, is unconsciously bringing me support, energy and ultimately, joy. I say ‘unconsciously’, but when, as a true friend, you offer yourself, ‘I am here for you’, I really take you up on it! Even when you don’t know. I carry the strength and spirit of those who love me, everywhere I go. That’s how I survive hospital and seeming isolation. Bookending my days and nights are my beloved parents. And of course  the children, who are my endless resource of joy – they live in the now, and demand I only be myself, which is easy enough for me, with them. 


I would imagine that your blog helps others. Do you know who reads your blog and do you have any heart-warming stories of those you have connected with through it? Do please share a link to it.

One interesting thing about my blog readership, and this perhaps also applies to my book, is that I don’t have an obvious lupus patient following. My readers tend to be writers, artists, poet-thinkers. I do know many of my readers because they have written personally to me, and I have made some extraordinary friends. Many of them found me first – I still can’t believe that I was found by Sherry, who lives in Tofino, Canada or Jeanne-ming, who lives in Chiang Mai, Thailand, or Maggie May in California, or Ruth in Michigan or Terresa in Utah… Sherry and I nearly met a few years ago, when I was supposed to visit my family in Vancouver but I ended up in hospital with an infection the day before the flight. I have met only Terresa and Jeanne-ming in person – and they were wonderful moments. Terresa and I walked the Cambridge cobblestones – I took her to The Haunted Bookshop, off King’s Parade… Ming is a soulmate for sure. We finally met up in Malaysia, the in between place for us – and it was like a coming home. She is an artist of the most unique sort and sent me a piece of art that I absolutely treasure. I came home from an eight-hour monoclonal antibody therapy infusion to find the parcel. I wrote about my soulmate artist friend in my blog, Lupus in Flight: click here to read more radiant joy.
 

What global issues are you most passionate about? Do injustices get to you?
 
The safety of women. The rights of our bodies. Our voices. The protection of children, their rights, their voices. Injustice is a living, breathing force every minute of someone’s life, somewhere. When you are very ill, and especially in physical pain, it is unbearable to think that you are a part of the same species who inflict torture upon a body before them. How? I don’t want to know, really. All I know is that at my darkest point, when my eyes were failing me, operations were frequent, a corneal ulcer grew, and all I could think was I belong in the same world as those who commit genocide – the Holocaust and the Rwandan massacre. How do we move beyond that? We are all made of the same stuff. It’s ghastly to think that. And yet… there is light. A friend rang just at my lowest, darkest. He is a man of faith, so his perspective was Christian – Jesus is an embodiment of who we also can be… the news doesn’t allow us to hold on to the necessary threads of light for very long, but we had Desmond Tutu, we have Malala.
 

Do you have another work in progress?
 
I have so many books cooking in my head – but specifically my next poetry collection is almost ready, and the novel I began has waited patiently for eight years…
 

Thanks so much for sharing so much, so succinctly, Shaista Tayabali. Would you also let us have any social media links please?
 
I think my blog is really my best social media link: Lupus in Flight but I am also on Instagram @shaistatayabali. The memoir is out in paperback and for kindle; here's the link on the UK amazon site: lupus on amazon




Friday, 24 December 2021

Jólabókaflóðið








It began with runes… and ended with a flood. A flood of books... the Icelandic tradition of giving and exchanging books on Christmas Eve, then curling up in a cosy, fireside reading nook with a cup of hot cocoa.

During World War II, paper was one of the few items not rationed, so books being given as gifts began a tradition that continues to this day. During the Reykjavic Book Fair, a catalogue is sent to every home, from which books are selected. A 2013 study carried out found 50% of Icelanders read eight books a year, and 93% read at least one. My friend Georgios says his New Year's resolution is to read a book a month. In my own reading life, the books on my shelves gather, but my eyes, my energy and my concentration cannot keep up the pace I once considered a natural part of my day. Christopher Norris, pioneer of World Book Day in the UK, has been trying to encourage a national Jólabókaflóðið... 

If you were to give a book tonight, or receive one, which book would you want to curl up with? I have Jessie Burton's Medusa - The Girl Behind The Myth,  I gave Mum a Domêstika course on the Japanese art of kintsugi - how to repair your broken ceramics with gold dust, enhancing their original beauty, which, while not a book, is its practical equivalent, and for Pops, the audiobook of The Virginian by Owen Wister, the original Western... I mean, just look at that cover!


'Course, if you were struggling to think of a book, there's always yours truly's latest, which is now the number one book under an Amazon search for 'lupus' or 'auto-immunity'. In the UK anyway, thanks to the lovely folk who have already bought and reviewed me. So, on that cheery note, a very merry Christmas Eve to you all. I am flat out fatigued with year numero deux of Pandemicness, but am holding steady with Chotu and Perveen on either side of me... 



Monday, 31 May 2021

A GLIMPSE OF ETERNAL SNOWS

On a cold November evening, eleven years ago, Mum and I entered what used to be the Olde Post Office down the road (now our friend Sue's cosy, charming cottage), to attend a reading by Dr Jane Wilson-Howarth. The Book Club had invited Jane, GP and travel writer, to share her memoir, A Glimpse of Eternal Snows: A Journey of Love and Loss in the Himalayas, and when the reading and Q&A were over and we were chin wagging over snacks, I asked Jane if there was an audiobook version Dad could read. 

A decade later, Jane writes in her blog

It was an idea I’d been incubating for yonks, ever since Shaista Tayabali (@lupusinflight) suggested it when I spoke to her reading group. Initially I was too busy and distracted to get down to it, but eventually I began, having no idea how long it would take. My experience of reading out loud in writing groups meant I knew that I could narrate 1000 words easily in ten minutes, so although my memoir is quite a tome at 374 pages and a little under 130,000 words, it was doable. It couldn’t take much more than 22 hours, so recording it wouldn’t take much longer than a week or so.

Spoiler. It takes longer!!

Recording consumed all of March, April (when we evacuated to the UK), May and some of June and July. I had already decided to add various bird calls to begin and end each chapter. Some are Nepali birds, some are English, depending upon where the action takes place.

The whole project took longer than I expected but it has been a labour of love. A Glimpse of Eternal Snows is a book that is written from my heart so I’m sure listeners will enjoy it, as long as no-one is too appalled by my attempts at Celtic accents. Here's the link to Audible audiobook

I wrote about Jane on my own blog as soon as I got home, in a post titled The Good Doctor, wishing she were my doctor but glad, soon enough, that she became my friend, and recommended me to the BBC Radio Cambridgeshire presenters as an interesting guest! I helped edit Jane's memoir for the American edition, which gave me a chance to fully immerse myself in Jane's life in Nepal, where she and her husband decided to take their two sons, including baby David, whose medical frailty had been dealt with in the least compassionate manner by doctors from my own Cambridge hospital. Nepali life gave David three years of burbling happiness...

The one sympathetic hospital doctor in Cambridge had advised us to treat David normally and we took this as a licence to take him on his first trek; at the age of four months, we packed up David’s heart medicines and tubes and headed up over precipitous drops and wobbly rope bridges to explore drippy forests and medieval hill-forts. The mountains were spectacular and healing. Strangely David’s heart disease protected him from the effects of high altitude. Our arrival in each mountain village was heralded by choruses of, ‘Children have come!’ We’d be surrounded and David taken from his carrying basket to be handed around for all to cuddle. He glowed in all this attention. He smiled and burbled appreciatively at all his admirers. Nepalis helped us see David’s qualities and talent for laughter...


June will be here tomorrow and Dad will sit out in the sun, eating mangoes and listening to Nepali birdsong and enjoying a glimpse of those eternal snows I read about eleven years ago... thank you, Jane!



Thursday, 14 May 2020

WHEN BIRDS COME TO CALL

A broken bird feeder found its way to me last year.
I painted it in shades of country cream.

I filled a cup of water, and sprinkled a meal, 
fit, I thought, for any feathered queen.

No bird came. Months passed by,
and today, hurrah, a visit made.

Bib of blue, and frankly suspicious, she flitted 
and flirted, from lilac to magnolia, 

to her new wooden house,
unconscious of my joyful gaze.

Chaffinch and sparrow followed, drinking in the rain,
picking through the catkin carpet,

the willow leaves, 
the tall, unwieldy, unmowed grass. 

Meanwhile, the news. Meanwhile, the roll call of names 
we never knew, strangers perching gently on our hearts. 

You ask me if I believe in God.
I say, What is God? What is a poem

I say, I lost my friends one by one to time, 
but when the birds came to call,

I found I had lost not one of my friends, 
not one of them at all. 

© Shaista Tayabali, 2020

Today, May 14th, was the birthday of both my Uncle Motu and my Aunty Saida. They weren’t twins. Aunty was five years older. They loved us kids equally. Growing up, we were showered with love when they visited our Bombay home, which had been their childhood home, and then when we moved to our shared new homeland of England, love continued, unperturbed by changed geographical boundaries. They are both gone now, into the other world ... but the memory of love remains.




Sunday, 31 December 2017

ROUND UP 2017

I've never done a round up of a year before... maybe a little hopeful contemplation as the year floats away that I did alright, I wasn't a complete disaster, love prevailed... but I feel like recording a few things for this last day of 2017. The brights and the shadows. 

The year started off with a flurry of rejections, which does rather set the spirit at a low hum of despair. But in amidst the form rejections, I had several personalised letters, which I have since learnt is an achievement in itself. Here is the most special among them - inspite of the rejection, I genuinely loved it.

Dear Shaista, Thank you for sending me Blind Wolf, Butterfly Woman and for giving me the opportunity to consider your work. I was consumed by your poignant, affecting story. I found it beautifully and truthfully depicted and it resounded with me deeply. You demonstrate remarkable courage in expressing your story, and I hope that you have found the writing process in some way helpful. Your attitude to your condition is truly an inspiration. However in spite of this I am unfortunately unable to make you an offer of representation. I am really concentrating on building up my fiction list, and while your story is incredibly moving, I am not sure how I would break it out commercially, with a mainstream publisher. The market at the moment is so competitive and publishers are being extremely cautious, particularly when it comes to acquiring memoir. However these judgements are always subjective and you may well find someone who feels very differently. Again, I very much appreciate having had the opportunity to consider your work and wish you all the best in finding the right home for it. Best wishes, ...

Then I had a rejection from the University of Cambridge to do an M. Phil on Vietnamese American post-war literature, and then I had an acceptance from the University of Cambridge to give a TEDx talk on creativity!




I think I successfully convinced everyone in that room that creativity can and must be taught, particularly to young children, and particularly at school. Perhaps I will share my speech another day. I didn't realise it wouldn't be recorded, but it was a TEDx salon talk, and those are more intimate. It was a special day, the 25th of January, Mum and Dad's anniversary, and as you know they are very much central to my creative life.

In February I was rejected (or rather not included) in (ironically) the Anglia Ruskin University TEDx event. I don't know how the event went in the end - it was inaugural, so hopefully it was a success. I was extremely fortunate to have been excluded because I developed kidney sepsis at the end of a lovely but hectic surprise visit from the Singaporean crew. Mum's birthday on the 10th of February was a wonderful time of celebration until right at the end, when I was bundled off to A&E, burning up, throwing up. Mum even wore mismatching shoes to the hospital, it was so muddled a morning.

Back in again with more infection at the end of March and into April... and then again in July and August... I had two PICC lines for two different infections, which took such a toll on me. And yet, while in hospital, I recorded a video to accompany my book for a crowdfunding platform called Unbound Publishing. When I was rejected from that I did feel quite awful. I spent September in bed for the most part. For World Poetry Day at the end of September, I recited poetry in the hospital chapel, which was very healing, and by the end of October I felt inspired enough by my summer experience of video making to start a vlog channel and recorded four wonderful talks with my friends Colette and Daisy on living with lupus. I was on radio in November reciting poetry and talking about hospital shenanigans, but that wasn't recorded on a podcast either, so hilariously the only two people who heard me live were the two people I told - Mum and Dad, the two people who listen to me every day, anyway!!


- And our beloved friend Victoria who drove me to the radio station and sat quietly, and supportively, in the booth beside me!

And finally on Boxing Day, I had a piece published in sisterhood mag, on my complicated and beautiful religious and spiritual life. Deeyah Khan, the founder of the magazine, and an extraordinary documentarian, had tweeted me earlier to consider contributing, and I am so glad she did... 

http://sister-hood.com/shaista-tayabali/half-parsi-half-muslim-full-woman/

We lost dear friends this year - our beloved John Haybittle, and two days ago, our childhood friend Vinit. We celebrate how wonderful they were, and hold on to each other more tightly. Tomorrow it will all be the same, and yet a little different. Happy New Year, my dear friends, whichever it is. 



Thursday, 6 October 2016

AN ORANGE SLUG IN THE PATH OF A RATTATA

They came. They conquered. They left. With a piece of my heart tucked into the soles of their feet.

Last night, around 2am, the owls were busy tap dancing on the roof of the Coach House, the converted garage I have called home for the past three years. I thought of Raf, who sometimes worries about me in the midst of all these owls. But he understands I'm nocturnal. 'I'm nocturnal, too!' he declared, last summer in Portugal. He was four then. At five, he is now a skilful Pokémon catcher. One sunny day, he and I combed the entire village, collecting measly Pokéballs at the phone box library and finding mostly Rattatas and Pidgeys (and a Mr Mime!) - he got stung by thorny ivy snakes, was shocked to discover roses have thorns and the duck pond from last year seemed to have vanished, so all in all it was 'the worst day, ever.' 
But! We met an orange slug. Have you ever? Bright and burnished, it looked nothing like its ordinary grey camouflage-ready mollusc cousin - Raf and I were gripped by the drama. Of course neither of us knew we were looking at Arion vulgaris, the cannibalistic roadkill eating variety. Arion vulgaris - what a name! I'm quite partial to the term vulgaris because in the late thirteenth century that is how lupus was referred to - lupus vulgaris.

I didn't blog last month - one of the rare months of complete absence. I have been struggling with chronic tachycardia most of the year. I hope there is nothing too sinister, cardiologically speaking - fingers crossed, anyway - but at the same time, almost twenty years of lupus, steroids, chemo and immuno therapies have no doubt taken their toll. My heart is overworked, but never under appreciated. Did I tell you I've finished my book? My last chapters are all dedicated to my heart, wondrous organ that it is. 

While the smallest loves of my life are far away in other countries, I am head down, writing to publishing agents. I rise to meet the day and either crumble back to bed or send my book with love to strangers. Wish me luck as I wave it goodbye!

Tuesday, 14 July 2015

THE ART OF ASKING (Book Review)


I have just returned from a week in the Algarve, Portugal - I am slightly woozy with exhaustion and the particular effects of intense sun on a lupus body. I feel parched and floaty at the same time; also satisfied and enriched with love and learning. It was a family holiday. Our first grown-up sibling holiday, with four children. It was hectic. And as with all the best holidays, I had a book to retire with, to curl inside, every night.




The Art of Asking is relevant to all of us, artists and non-artists (if any of us are non-artists, which I suspect we aren't - everyone makes art and beauty somehow, in some way) because we are all afraid of rejection, of being turned down, or most poignantly, because we simply don't know or can't imagine what we can ask for. We want, but we don't know how to ask for it, whom to ask, where to look for help. In my life, dependent as I am on so many people for love and support, worrying about how I will finance myself in some future universe where I am alone and hoping The Books will manifest themselves, I am learning to ask. To be unafraid. To Take The Donuts. Palmer tells us of the recent literary anecdote that has 'rocked' the lovers of Henry David Thoreau - the magic of Walden has been dimmed for some because of the discovery that Thoreau was not quite as alone and self-sufficient as his book implies. On Sundays, his mother and sister brought him a  basket of freshly baked goods, including doughnuts. He took the donuts (American word, American spelling).

Take the Donuts, Palmer pleads with her readers. Take the help. Ask for the help. And then watch the dots connect themselves in your life. Watch the net of loyalty, trust, compassion, understanding, love, tighten. We need each other. Especially when we think we don't. Especially when we are writers, and the expectation of our imaginary audience is that The Book will simply write itself while we are on an island, locked away in a shed or disconnected from the pulse of human chaos. Artists need help: food, shelter, money, hugs, perspective, inspiration, friends. Asking for help is part of the art. Offering the help is part of the art. One cannot exist without the other.

I love this book, but if it's not your thing, here is the book condensed into a thirteen minute TED talk that rightfully went viral...


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Sunday, 14 September 2014

G IS FOR GRIEF, H IS FOR HAWK

'Good grief.'
Is there such a thing?
Grief rhymes with thief.
That much is true.

I am always grieving.

Something has always been stolen
is stolen
will be stolen
soon.

You thought it was about love
but it is always grief that wins.
Grief who writes the books
waiting just under the skin
for a little pin prick
a little release
and then the slow unending bleed.


© Shaista Tayabali, 2014


I am reading Helen Macdonald's 'H is for Hawk' and it feels like a culmination, a coming home. Macdonald is a falconer who decided to train a goshawk after her father died. She uses words I have to look up like 'palimpsest' and 'annealed' and shares a world of wildness and rapture and wings. I've never read anything like it.

Every day I want to write, and I can't. At least, I cover no significant ground. A poem here, a diary or journal entry there, an email, a letter… but none of those hours one needs to devote to finish a BOOK. You know, those things that look like blocks, but come apart on one side. Who said that?* Someone with a snide sense of humour, and a remonstration to those who don't read the way writers do. Obsessively, compulsively. Like the pages are a nest you are building to live in, forever.
Except, sometimes, you don't have forever. Because you have advanced glaucoma and a metaphoric wolf snarling or muttering at you all the day long hours. At night I relax. Maybe the wolf is tired of all that snarling and curls up, close beside me but so still I can pretend I am alone.

Just before my birthday, a friend of mine died. She wasn't someone I saw very much because she had cancer and although we were both in and out of the same hospital, a lupus and a cancer patient share only a language of needles, sickness, wit and the long shadow of death and grief. We rarely share wards or infusion bays. Sometimes we do, like when Clive James sat opposite me and we shared Marian Keyes' Guinness cake, but mostly cancer has its own world. And lupus squeezes in here and there between leukaemia and rheumatoid arthritis. There have been so many deaths in our family over the past six years, including, most recently, my aunt Gerda, and so I think my grief over my friend's death was really a sense of exhaustion with all of the deaths, the private ones and the public ones on the news. We are bombarded, are we not?

A few months before my friend Selene Mills died, we met for tea at the local deli and she gave me a pelargonium. For weeks afterwards, I'd been meaning to write to her and tell her I couldn't bear to throw the petals away because they were so beautiful. She worked for the Cambridge Early Music group and the music at her funeral, chosen by her, left me wishing I could read music, play music, so I could have truly understood her. I am so envious of all of you who play instruments! But what I can do is appreciate music and extraordinary literature and the slow perfect growing of a plant potted by loving hands and a generous heart. And that must be enough for now.


*F. Scott Fitzgerald now that I've looked it up...

Tuesday, 3 December 2013

YOUNG ONES: THE NONCHALANT ANGELS

A little boy sits opposite me,
 absorbed in a game,
on a gadget I do not own,
 for which I have no name.

He kicks his heels up,
 (only his toes reach the ground);
in the chair beside him, his mother sleeps,
 curled, legs raised far above the ground.

He calls out to her,
 when he hits a particularly high score;
she jolts awake, unseeing,
 then falls back to sleep once more.

She is my sister, in this place
 where the needles preside;
it heals me with an aching love,
 to see her son never leave her side.

© Shaista, 2013


There are angels everywhere. I saw one in the little boy opposite me. I wrote the poem half-way through my infusion (and hers), but afterwards, I took some cake across to him. A friend recently celebrated his birthday and since I was too fatigued to attend, he dropped by some petit fours this morning. Thankyou Simon! The nurses enjoyed some first (by 7:30pm they were flagging as much as I was) and then I walked over to the angel. He took only one piece, even though I cajoled him to take more, and he spoke so sweetly and gently while his mother looked on and smiled. We suffer from similar conditions and exchanged the usual wry affection, each as tired as the other, and I thought of kneeling before them and reciting my poem, but my brother was waiting to pick me up and so I walked away on a wish of luck and hope and friendship postponed. I think the little boy would have liked 'his' poem, but the cake was poem enough.
I am working on my memoir, slowly, but with great determination - the chemo/monoclonal infusion takes eight hours and I write and create and connect across time with poets and like minds - today, Tupac Shakur, who, at 18, rhymed soulfully in journals that resemble mine.


first image from The Mag